This plug-in contains nine reverb algorithms from the H8000FW. Recently Eventide has continued moving into the plug-in world with UltraReverb. The first was a single room algorithm from the classic SP2016, and the second was… oh, yes!… the Blackhole! I used to own an H8000FW losing the Blackhole reverb was pretty heartbreaking, so I was happy to have it back.
Eventide harmonizer h910 history pro#
Luckily for those without pro studio budgets or deep pockets, Eventide has begun to bring some of these reverb algorithms into the native plug-in world.
Eventide’s Blackhole reverb algorithm is quite famous nowadays, a capstone of the DSP4000 rack from years past that’s still available today in both the H8000FW and in the Space reverb pedal (reviewed July 2011). One thing that the H8000FW (and the Eclipse to some extent) are known for is stunningly clear, yet highly programmable reverbs. Its baby brother, the Eclipse, has been out for over a decade (it was my very first product review for Recording, way back in 2002!), but constant updates keep it relevant and very much in the top tier of hardware multieffects processors. The current flagship, the H8000FW, comes in at around $5000 and offers deep algorithms, extreme flexibility, dual-engine architecture, and a famous sound that’s hard to beat, even by the very newest and most powerful plug-ins. Its history of groundbreaking digital audio equipment stretches back decades to the original Instant Phaser in 1971, with the first digital pitch shifter, 1975’s H910 Harmonizer, winning multiple awards and serving as the ancestor of a long line of ever more powerful digital multieffects processors. In the world of professional audio effects, Eventide sits squarely at the top.
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